Sub Publishing Agreement
I am doing research because my partner is a producer who has been offered a 2-year advertising contract with a small independent publisher/label to provide them with Sync music. Our concern is how much this will have an impact on his personal musical projects, because we don`t know if it`s a co-pub or full, it says only “by default,” and they say that the publication agreement applies to all compositions written within the term. Since he doesn`t get a lot of income from his personal projects, it`s more about property, and if that`s really a good thing or if he would sign much more than just the master of synchronization he gives them. The area that includes an under-publication agreement is an important consideration. Some companies limit the sub-edator to a particular territory, for example. B one country, and some companies can provide a block of countries in which the sub-redator is authorized to manage the work. In addition, a co-publication agreement can be used when two or more songwriters work together to create a song. Copyright on “common work” created is first and foremost co-owned by copyright authors; However, if each author transfers his share to his or her respective publisher, the publishers become co-owners of the copyright of the song. Therefore, in many situations, especially when several established artists are involved, the composition is often owned and/or managed by two or more publishers, since each author usually has his own musical editing arrangement. Is it enough to have these messages as proof of our membership? Or should I now enter into a legal agreement? in case we have problems in the future. My question is: is the publishing contract I have at the moment to retain? and does the label have a point or is it a scam? I am a music producer in electronic music, I signed a publishing contract with a sound engineer who simply helps me mix my songs, record the singing and help me in legal affairs. While an artist who has signed with a music publisher will probably not be afraid to hire a publishing sub-house, since his publisher will already have these relationships, independent artists should know what a sub-publisher can do and how much these services cost.
Decades ago, entire catalogues were processed by a foreign representative for the life of copyright. Although the standard is now three years, it is one of the many negotiable elements of any under-publication agreement.https://www.actubis.com/sub-publishing-agreement/